Akademik Veri Yönetim Sistemi
Res Rhetorica, cilt.12, sa.3, ss.89-114, 2025 (ESCI, Scopus)
This article explores how Peter Santenello’s Border Series, viewed more than ninety million times on YouTube, depicts U.S. migration in the early 2020s. After years abroad as a travel vlogger, Santenello returned to the United States determined to show the country from the ground up, arguing that mainstream outlets overlook crucial realities. His Border Series is part of this turn. Through close readings of selected episodes, the paper identifies three recurring rhetorical patterns in his coverage of migration to the U.S. First, Santenello’s hand-held camera gains entry to police trucks, farm fields, hotels, and desert contacts to the mainstream representations which are considered to be politically biased. Second, each video functions as a “third space” where roles remain fluid: migrants appear as commodities or humanitarian cases, sheriffs shift from protectors to reluctant aid workers, and viewers assign these labels through real-time debate. Third, Santenello’s civic-traveler style combines storytelling with witnessing; by rejecting the journalist label yet featuring multiple viewpoints, he widens the circle of voices that narrate the border and resists classical media framing. Taken together, these patterns show that digital, personality-driven reporting is remapping migration discourse, turning contested ground into a shared arena for seeing and arguing.