Akademik Veri Yönetim Sistemi
Craft Research, cilt.16, sa.2, ss.263-275, 2025 (ESCI, Scopus)
Ceramic art, as a field of contemporary creativity, has witnessed many innovative approaches. Danish artist Christina Schou Christensen’s groundbreaking exploration of ceramic glazes represents a significant shift in how glaze is understood within the discipline. Through her pioneering artworks, Christensen moves beyond conventional views of glaze as decoration, instead presenting it as a crucial structural element integrated into the overall form. With carefully planned experimentation in chemical composition, glaze movement and firing methods, she takes advantage of these properties to create sculptural forms that are both technically intricate and visually compelling. By extending the possibilities of ceramic practice and embracing the unpredictability of the glazing process, Christensen merges scientific awareness with artistic intent, elevating her work in both technical and aesthetic terms. Her approach not only broadens expressive potential but also underscores the close interconnection between material science and creative design. Through her tests with glaze formulation and kiln dynamics, she illustrates how a strong grasp of ceramic chemistry can actively influence artistic outcomes, opening fresh opportunities for exploration in the field. Her work stands as evidence of the transformative role of experimentation, offering insights into how ceramic chemistry, mathematical logic, and design principles can intersect to shape innovative results.